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一直作為米路斯(🆓)．(⛲)科(✒)曼(🐽)劇(🥇)本(běn )鐵三角(jiǎo )（另一(yī )(🌰)位是帕培錫，也(yě )是本(🤢)片編劇(🎺)之一）成員的(de )艾雲(🌰)．巴薩，當然也走低(🎾)度戲(🌫)劇路(⏬)線。同(tóng )是音樂家的彼德與卡(kǎ )洛(luò )老友(yǒu )重逢，生活狀況(kuàng )大不(bú )同(tóng )，你有伴侶我(wǒ )有家(jiā )庭，然而都(dōu )有說不出的不明(😻)朗(lǎng )(🚸)，唯(wéi )有(yǒu )以酒與(🤯)音樂(🐖)代替(tì )(🔊)口水(⏺)。全(🌙)片(📎)推展不問目的，只(zhī )在(⏯)剎那間的意圖，行行企(㊗)企(qǐ )比起科曼更義無反顧，卻有(yǒu )生活淡(dàn )如(👓)流水的詩(⛓)意和繆思(sī )，叫觀眾聯(lián )想到二十年後的伊(👺)力(lì )．(🏯)盧(🤳)馬(mǎ )。巴薩鍾(🧟)愛(ài )音(yīn )(🧣)樂的(⚾)程(🕯)度(🌮)不下(🗳)於(🤘)文(wén )字(zì )和電影(💔)，古典音樂與民(mín )間音樂(😊)於全片迴轉(🌹)迴盪，難怪成了奇斯(sī )洛夫(fū )斯基十大心愛電影之一。 (😙)康城影展青(qīng )年(nián )評審團獎，美國全國影(🏃)評人協會特別獎(🔙) (🐖) 這部1966年的珍品，是(shì )(🍁)捷克新浪潮短(duǎn )暫生(shēng )命中最佳作品(pǐn )之一(yī )。成名音樂家到小鎮探(tàn )訪舊同學，舊(💁)同學(⏺)是個窮音樂教(jiāo )師，有時在喪(🚪)禮上(🐱)吹奏(💛)樂曲。平凡(🏡)的素材在巴素手裡，變(biàn )出風(fēng )趣復罕見的旋律，一(yī )部憂鬱的(de )喜劇，或灰色喜(xǐ )(😼)劇。 (♟) (🦐) - Dave Kehr, Chicago Reader (🔂) (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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