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一(🈯)直作為米路斯(🆓)．科(kē )曼(🐽)劇本鐵三角（另一位是帕(pà )培錫(xī )，也是本(běn )(🤢)片(🤴)編劇之一(yī )）成員的(🐉)艾(ài )雲(yún )．巴薩，當然也(yě )走(😧)低(dī )度(📿)戲劇路線(xiàn )(🎲)。同是音(🏇)樂(lè )(♑)家的彼(bǐ )(🚤)德與卡洛老友重(🎩)逢，生活狀況大不同，你有伴侶我有家(🐖)庭(🕌)，然而(🎿)都(dōu )有說不(😚)出(🍮)的(✖)不明朗，唯有以酒(🕕)與音樂代替(🔊)口(kǒu )水。全片推展不(🔩)問(🥁)目的(de )，只在(zài )剎(chà )那間(jiān )的意圖，行行企企(qǐ )(🥎)比起科曼更義無(wú )反顧(gù )，卻有(🤸)生活淡如流水的(💪)詩意(yì )和繆思，叫觀眾聯想到二十年後的伊(yī )力(lì )．盧馬。巴(bā )薩鍾(🧟)愛音樂的(⚾)程度(🌮)不下於文字和電影，古典音樂與民間音(yīn )樂於全片迴轉迴盪，難(nán )怪成(chéng )了奇斯洛夫斯(sī )(📟)基(jī )(🐩)十(shí )大(dà )心愛電影之(🎥)一。 康城影(📛)展青年評審團獎(jiǎng )，美(měi )國全(quán )國影評人協會(huì )特別獎(🔙) (🐖) 這(🖍)部1966年的珍品，是捷克新浪潮(cháo )短暫生命(mìng )中最(🐂)佳作品之一。成名音樂(lè )家到小鎮探訪(🚩)舊同(tóng )學，舊同(tóng )(🈺)學是個窮音樂教師，有(🌲)時在喪禮上吹奏樂(lè )曲(😲)。平凡的(de )(✒)素材在(zài )巴素手裡(🕵)，變(biàn )出風趣復罕(🔍)見的(🍉)旋律，一部(🎁)憂(yōu )鬱的喜劇(jù )，或灰(🏗)色喜(xǐ )劇。 - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (⛲) Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) (✔)- Elliott Stein, Village Voice (👚) (🥙)Source HKIFF Czech New Wave 2006
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